MARC details
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02285nam a22002297a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20200224135543.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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200224b ||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781861892201 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
NVIC |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gönül Dönmez-Colin |
| 245 1# - TITLE STATEMENT |
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| Title |
Women, Islam and Cinema |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc. |
London: |
| Name of publisher, distributor, etc. |
Reaktion Books, |
| Date of publication, distribution, etc. |
2004 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
206 p., |
| Dimensions |
18 cm |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
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| Title |
Locations |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
This is the first book to examine the troubled relationships between women, Islam and cinema. Film critic and author Gönül Dönmez-Colin explores the role of women as spectators, images and image constructors in the cinemas of the countries where Islam is the predominant religion, focusing on Iran and Turkey from the Middle East, drawing parallels from Kazakhstan and Uzbekistan, the two Central Asian Republics of the former Soviet Union, and Pakistan, Bangladesh, Malaysia and Indonesia, the prominently Muslim Asian countries with a challenging film industry. Some of the relevant films made in India by and for Muslim Indians are also explored.<br/><br/><br/><br/>Dönmez-Colin examines prevalent cinematic archetypes, including the naïve country girl who is deceived and dishonoured, or the devious seductress who destroys the sanctity of marriage, and looks well at controversial elements such as screen rape, which, feminist film critics claim, caters to male voyeurism. She also discusses recurring themes, such as the myths of femininity, the endorsement of polygamy and the obsession with male children, as well as the most common stereotypes, depicting women as mothers, wives and daughters.<br/><br/><br/><br/>Given the diversity of cultures, rather than viewing national cinemas as aspects of a single development, the author focuses on individual histories, traditions and social and economic circumstances as points ofreference, which are examined in the context of social and political evolution and the status of women within Islam. Women, Islam and Cinema is a much-needed and timely work that will appeal to the curious reader as well as to the student of film. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Women in motion pictures |
| General subdivision |
Religious aspects |
| Geographic subdivision |
Islamic countries |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Women representation |
| Form subdivision |
Cinema |
| Geographic subdivision |
Iran |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Cinema |
| Form subdivision |
Violence against women |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
F 438 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |