MARC details
000 -LEADER |
fixed length control field |
03940nam a22003377a 4500 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20200219142851.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
170911b xxu||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781784530358 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
NVIC |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Anthony Downey |
Relator term |
editor |
245 1# - TITLE STATEMENT |
Title |
Uncommon Grounds: |
Remainder of title |
New Media and Critical Practices in North Africa and the Middle East |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc. |
New York: |
Name of publisher, distributor, etc. |
I.B.Tauris, |
Date of publication, distribution, etc. |
2014 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
359 p., |
Dimensions |
23 cm |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
Table of contents: |
Title |
Introduction |
Miscellaneous information |
Anthony Downey |
Title |
2011 is not 1968: An Open Letter to an Onlooker |
Statement of responsibility |
Philip Rizk<br/> |
Title |
The Paradox of Media Activism: The Net is not a Tool, It's an Environment |
Statement of responsibility |
Franco Berardi |
Title |
Revolution Triptych |
Statement of responsibility |
Mosireen |
Title |
For the Common Good? Artistic Practices and Civil Society in Tunisia.<br/> |
Statement of responsibility |
Anthony Downey |
Title |
Citizens Reporting and the Fabrication of Collective Memory<br/> |
Statement of responsibility |
Jens Maier-Rothe, Dina Kafafi, Azin Feizabadi<br/> |
Title |
Performing the Undead: Life and Death in Social Media and Contemporary Art |
Statement of responsibility |
Nat Muller |
Title |
Art's Networks: A New Communal Model |
Statement of responsibility |
Derya Yücel |
Title |
When the Going Gets Tough… |
Statement of responsibility |
Hamzamolnàr |
Title |
Potential Media The Appropriation of Images Commercial Media and Activist Practices in Egypt Today |
Statement of responsibility |
Maxa Zoller |
Title |
A Critical Reflection on Aesthetics and Politics in the Digital Age |
Statement of responsibility |
Dina Matar |
Title |
Digital, Aesthetic, Ephemeral: A Brief Look at Image and Narrative |
Statement of responsibility |
Sheyma Buali |
Title |
New Media and the Spectacle of the War on Terror |
Statement of responsibility |
Maymanah Farhat |
Title |
The Magnetic Remenances: Voice and Sound in Digital Art and Media |
Statement of responsibility |
Nermin Saybaşılı |
Title |
Re-Examining The Social Impulse: Politics, Media and Art after the Arab Uprisings |
Statement of responsibility |
Omar Kholeif |
Title |
Arab Glitch |
Statement of responsibility |
Laura U.Marks |
Title |
The Many Afterlives of Lulu |
Statement of responsibility |
Amal Khalaf |
Title |
Cardboard Khomeine: An Interrogation |
Statement of responsibility |
Annabelle Sreberny |
Title |
The Art of the Written Word and NewMedia Dissemnitation Across the Borders between Syria and Lebanon |
Statement of responsibility |
Tarek Khoury |
Title |
On Revolution and Rubbish. What has changed in Tunisia since Spring 2011 |
Statement of responsibility |
Timo Kaabi-Linke |
Title |
Saadiyat and the Gulf Labor Boycott |
Statement of responsibility |
Gulf Labor |
520 ## - SUMMARY, ETC. |
Summary, etc. |
In this groundbreaking book, a range of internationally renowned and emerging academics, writers, artists, curators, activists and filmmakers critically reflect on the ways in which visual culture has appropriated and developed new media across North Africa and the Middle East. Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices - and social movements - in the Arab world today. Analysing alternative forms of creating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a 'democratisation' of - and a productive engagement with - visual culture, or merely capitalise upon the effect of immediacy at the expense of depth?Featuring full-colour artists' inserts, this is the first book to extensively explore the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into mainstream media, institutional and curatorial characterisations of 'revolution' - and whether artists should be wary of perpetuating the rhetoric and spectacle surrounding political events.<br/>In the process, Uncommon Grounds reveals how contemporary art practices actively negotiate present-day notions of community-based activism, artistic agency and political engagement. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Visual culture |
Geographic subdivision |
North Africa |
-- |
Middle East |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Artistic practices |
Geographic subdivision |
North Africa |
-- |
Middle East |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Visual culture |
Geographic subdivision |
North Africa |
-- |
Middle East |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
New media |
Geographic subdivision |
North Africa |
-- |
Middle East |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Wafa Bilal |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Sarah Abu Abdallah |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Fayçal Baghriche |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Ganzeer |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Roy Samaha |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Tarzan and Arab |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Sophia Al-Maria |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Hans Haacke |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Rabih Mroué |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Books |