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Art of Empire: The Roman Frescoes and Imperial Cult Chamber in Luxor Temple

Contributor(s): Material type: TextTextPublisher: New Haven: Yale University Press; Cairo: American Research Center in Egypt, 2015Description: 227 p., ill., maps, plans; 32 cmISBN:
  • 9780300169126
Subject(s): Summary: The Luxor Temple of Amun-Re, built to commemorate the divine power of the pharaohs, is one of the iconic monuments of New Kingdom Egypt. in the fourth century CE, the Roman imperial government, capitalizing on the site's earlier significance, converted the temple into a military camp and constructed a lavishly painted cult chamber dedicated to the four emperors of the Tetrarchy. These frescoes provide fascinating insight into the political landscape of the late Roman Empire and, as the only surviving wall paintings from the tetrarchic period, into the history of Roman art. The culmination of a landmark conservation project, this volume brings together scholars across disciplines for a comprehensive look at the frescoes and their architectural, archaeological, and historical contexts. Over 150 stunning illustrations present the paintings for the first time in their newly conserved state, along with a selection of nineteenth-century documentary watercolors. This remarkable publication illustrates how physical context, iconography, and style were used to convey ideology throughout Rome's provinces.
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Item type Current library Call number Status Date due Barcode
Books Books Netherlands-Flemish Institute in Cairo (NVIC) Library First Floor - 1.06 M 220 (Browse shelf(Opens below)) Available M 220

Gift by ARCE, March 2016.

Includes bibliographical references (pages 193-210) and index.

The Luxor Temple of Amun-Re, built to commemorate the divine power of the pharaohs, is one of the iconic monuments of New Kingdom Egypt. in the fourth century CE, the Roman imperial government, capitalizing on the site's earlier significance, converted the temple into a military camp and constructed a lavishly painted cult chamber dedicated to the four emperors of the Tetrarchy. These frescoes provide fascinating insight into the political landscape of the late Roman Empire and, as the only surviving wall paintings from the tetrarchic period, into the history of Roman art. The culmination of a landmark conservation project, this volume brings together scholars across disciplines for a comprehensive look at the frescoes and their architectural, archaeological, and historical contexts. Over 150 stunning illustrations present the paintings for the first time in their newly conserved state, along with a selection of nineteenth-century documentary watercolors. This remarkable publication illustrates how physical context, iconography, and style were used to convey ideology throughout Rome's provinces.

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