000 | 02742nam a22003017a 4500 | ||
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003 | OSt | ||
005 | 20160921112942.0 | ||
008 | 160921b xxu||||| |||| 00| 0 eng d | ||
020 | _a9780231174008 | ||
040 |
_aDLC _beng _cNVIC _erda _dDLC |
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100 | 1 | _aBrian T. Edwards | |
245 | 1 | 0 |
_aAfter the American Century: _bThe Ends of U.S. Culture in the Middle East |
264 | 1 |
_aNew York: _bColumbia University Press, _c2016 |
|
300 |
_a268 p., _c23 cm |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aAfter the American century : ends of circulation -- Jumping publics : Egyptian fictions of the digital age -- Argo fuck yourself : Iranian cinema and the curious logics of circulation -- Coming out in Casablanca : Shrek, sex, and the teen pic in contemporary Morocco -- Epilogue: Embracing orientalism in the homeland. | |
520 | 2 | _a"When Henry Luce announced in 1941 that we were living in the 'American century,' he believed that the international popularity of American culture made the world favorable to U.S. interests. Now, in the digital twenty-first century, the American century has been superseded, as American movies, music, video games, and television shows are received, understood, and transformed in unexpected ways. How do we make sense of this shift? Building on a decade of fieldwork in Cairo, Casablanca, and Tehran, Brian T. Edwards maps new routes of cultural exchange that are innovative, accelerated, and full of diversions. Shaped by the digital revolution, these paths are entwined with the growing fragility of American 'soft' power. They indicate an era after the American century, in which popular American products and phenomena--such as comic books, teen romances, social-networking sites, and ways of expressing sexuality--are stripped of their associations with the United States and recast in very different forms. Arguing against those who talk about a world in which American culture is merely replicated or appropriated, Edwards focuses on creative moments of uptake, in which Arabs and Iranians make something unpredicted. He argues that these products do more than extend the reach of the original. They reflect a world in which culture endlessly circulates and gathers new meanings"--From publisher's website. | |
650 | 0 |
_aPopular culture _zUnited States |
|
650 | 0 |
_aPopular culture _zMiddle East |
|
650 | 0 |
_aOrientalism _zUnited States |
|
650 | 0 |
_aEthnic attitudes _zMiddle East |
|
650 | 0 |
_aCulture diffusion _zMiddle East |
|
650 | 0 |
_aGlobalization _xSocial aspects _zMiddle East |
|
651 | 0 |
_aUnited States _xRelations _zMiddle East |
|
651 | 0 |
_aMiddle East _xRelations _zUnited States |
|
651 | 0 |
_aMiddle East _xCivilization _y21st century |
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942 |
_2ddc _cBK |
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999 |
_c13680 _d13680 |