000 | 01635nam a22002297a 4500 | ||
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003 | OSt | ||
005 | 20230626143306.0 | ||
008 | 200610b ||||| |||| 00| 0 eng d | ||
020 | _a9781108474658 | ||
040 | _cNVIC | ||
100 | 1 | _aWendy M. K. Shaw | |
245 | 1 | 0 |
_aWhat Is "Islamic" Art? _bBetween Religion and Perception |
264 | 1 |
_aCambridge: _bCambridge University Press, _c2019 |
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300 |
_a366 p., _bill.; _c24 cm |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction : from Islamic art to perceptual culture -- The Islamic image -- Seeing with the ear -- The insufficient image -- Seeing with the heart -- Seeing through the mirror -- Deceiving deception -- The transcendent image -- The transgressive image -- Mimetic geometries -- Perspectives on perspective -- Conclusion : out of perspective. | |
520 | _aThis book began as an exploration of the image in Islam. It ended up exploring how one might relinquish concepts like the image and art to conceive of perception through an Islam, often overshadowed by politics, essential to a sense of emotive knowledge that emerges through engagement with the arts. Instead of defining the image, art, or religion, this book asks: What is art if the primary sensory organ is neither eyes nor ears, but the heart? Where are the boundaries between the senses as we take in the world? What is art if dreams and visions are as real as materiality? How can art make-present, and not just re-present? | ||
650 | 0 | _aIslamic art | |
650 | 0 |
_aIslam _xImagery _xPerceptual culture _xDiscourse |
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650 | 0 |
_aIslam _xArt history _xCulture |
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942 |
_2ddc _cBK |
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999 |
_c15301 _d15301 |