000 | 02815nam a22003137a 4500 | ||
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003 | OSt | ||
005 | 20210829134925.0 | ||
008 | 210829b ||||| |||| 00| 0 eng d | ||
020 | _a9781503628021 | ||
040 | _cNVIC | ||
100 | 1 | _aRebecca L. Stein | |
245 | 1 | 0 |
_aScreen Shots: _bState Violence on Camera in Israel and Palestine |
264 | 1 |
_aStanford: _bStanford University Press, _c2021 |
|
300 |
_aix, 234 p., _bill.; _c24 cm |
||
490 | 1 | _aStanford Studies in Middle Eastern and Islamic Societies and Cultures | |
504 | _aIncludes bibliographical references (pages 163-226) and index. | ||
505 | 0 | _aIntroduction : the dream of the perfect camera -- Sniper portraiture : militarizing personal technologies -- Cameras under curfew : infrastructures of constraint -- Settler scripts : the rise of Israeli "fake news" -- Rights on screen : curating state violence -- The military's lament : combat cameras and state fantasies -- Conclusion : broken bones, broken dreams : the affordances of failure. | |
520 |
_a"In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots studies this phenomenon from the vantage point of Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography-closer, sharper, faster-would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-utopianism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age"-- _cProvided by publisher. |
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650 | 0 |
_aArab-Israeli conflict _y1993- _xPhotography |
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650 | 0 |
_aArab-Israeli conflict _y1993- _xMass media and the conflict |
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650 | 0 |
_aDocumentary photography _xPolitical aspects _zIsrael |
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650 | 0 |
_aDocumentary photography _xPolitical aspects _zPalestine |
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650 | 0 |
_aVideo recordings _xPolitical aspects _zIsrael |
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650 | 0 |
_aVideo recordings _xPolitical aspects _zPalestine |
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650 | 0 |
_aPolitical violence _zIsrael |
|
650 | 0 |
_aPolitical violence _zPalestine |
|
830 | 0 | _aStanford Studies in Middle Eastern and Islamic Societies and Cultures | |
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_2ddc _cBK |
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_c15686 _d15686 |