000 02183nam a22002057a 4500
008 240527b |||||||| |||| 00| 0 eng d
020 _a9783110726770
040 _cNVIC
245 _aShared Margins:
_bAn Ethnography with Writers in Alexandria after the Revolution
260 _aBerlin:
_bDe Gruyter;
_bLeibniz Zentrum Moderner Orient,
_c2021
300 _a272 p.,
_bill., map;
_c24 cm
440 _aZMO-Studien;
_v41
505 _aPART I: About Writing-- 1.Why Write, and Why Not Stop?-- 2.Infrastructures of Imagination-- 3.The Writing of Lives--PART II:Writing About-- 4.Can Poetry Change the World?-- 5. Where Is Alexandria?-- 6. Writing on Walls--7.Is Prose Poetry a Conspiracy against the Noble Qurʾan?--8.The Search for a Clear Vision--Afterword:On Exiles and Alternatives
520 _a"Shared Margins tells of writers, writing, and literary milieus in Alexandria, Egypt’s second city. It de-centres cosmopolitan avant-gardes and secular-revolutionary aesthetics that have been intensively documented and studied since 2011. Instead, it offers a fieldwork-based account of various milieus and styles, and their common grounds and lines of division. Structured in two parts, Shared Margins gives an account of literature as a social practice embedded in milieus that at once enable and limit literary imagination, and of a life-worldly experience of plurality in absence of pluralism that marks literary engagements with the intimate and social realities of Alexandria after 2011. Literary writing, this book argues, has marginality as an at once enabling and limiting condition. It provides shared spaces of imaginary excess that may go beyond the taken-for-granted of a societal milieu, and yet are never unlimited. Literary imagination is part and parcel of such social conflicts and transformations, its role being neither one of resistance against power nor of guidance towards norms, but rather one of open-ended complicity."--Provided by publisher.
650 _aLiterary scene
_zAlexandria
_zEgypt
650 _aWriters
_xSocial circles
_xPrivate lives
_zAlexandria
_zEgypt
700 _aSamuli Schielke
700 _aMukhtar Saad Shehata
942 _2ddc
_cBK
999 _c16636
_d16636